![]() We provide water for each guest upon request. Please avoid bringing any outside beverage containers into the venue. What kind of food and beverages are available?īeer, Wine, Cocktails, Soft Drinks, and Snacks We do not have an active coat check, but provide coat racks inside the venue. We recommend ear protection for indoor concerts. Unless otherwise marked on a show listing, children are allowed. Restrooms are located outside of the venue on the mezzanine. Re-entry is permitted with a valid ticket stub. The chairs in the main floor seating area are all movable. First come, first serve.ĭo you have handicap accessible sections? Unless otherwise marked on a show listing, most shows are General Admission seating. Tickets are only refunded to point of purchase if the Artist cancels the performance and a rescheduled date cannot be made. You can either print your e-tickets and hand off in person, forward the e-ticket email to the transferee, or email to leave names at Will Call. Tickets are available for purchase at the door, unless the show is sold out in advance.Ĭan I transfer my tickets to someone else? If you cannot find your tickets, we can look them up by name or credit card number at the door. ![]() They can be printed out, or scanned directly from your mobile device. Tickets are sent via email to the address you provide during online check out. You can find this information detailed on the Artist's page on Listening Room's Website if applicable. We no longer require proof of vaccination on shows unless it is the Artist's request. The listening room is one of few test rooms in the UK which can be used to meet the requirements of ITU-R BS 1116-1 for subjective assessments of small impairments in audio systems.Do you require proof of vaccination or a negative Covid test? Vital statisticsīackground noise 5.7dBA Tests and Standards ![]() This is why diffusers are used alongside absorbers. The idea is not to make a completely dead room, like an anechoic chamber, because the room is meant to replicate a flawless living room and so should have a little reverberance. By delaying and attenuating the first reflections which meet the listener, the room appears bigger than it really is, removing the small ‘boxy’ sound. Absorption and diffusion are used to treat the first order reflection paths from the walls, ceiling and floor. By carefully choosing room dimensions, and using resonant absorbers, the audible effects of these modes are controlled.Īt mid and high frequencies, absorbers and diffusers are used to control the acoustic. This construction doesn’t just make conditions in the listening room ideal for testing, it also prevents noise leaking out and disturbing others in the Newton Building.Īt low frequencies, standing wave modes in a small room cause problems, because the modes ring, distorting the sound. The room is built on a mineral wool slab to reduce vibrations through the foundations. The room is made with heavy brick walls, reinforced concrete inner and outer roofs and double, heavy acoustic doors with rubber seals. For research and enterprise work, it is important that the room can meet the stringent requirements of international standards.Ī ‘room within a room’ construction stops noise getting in. Consequently, we need a room where differences are not hidden by background noise or masked by room acoustic artefacts. ![]() In this room, listeners need to compare various sounds, and the differences between the sounds can be very small. #LISTENING ROOM TV#By getting young and elderly listeners to watch and score the quality and intelligibility of different TV soundtracks, we were able to come up with new guidelines to be used by the industry. #LISTENING ROOM HOW TO#Ofcom, the regulator for the communications industries, wanted us to find out how to improve the intelligibility of dialogue for the hearing impaired, without overly impairing the enjoyment of programs for those without hearing loss. Students also use this room, to examine the best way of designing small critical listening environments. Expectation and emotional state affect listener judgements, and so the listening room is often preferred to get more natural reactions. While it is possible to carry out perceptual tests in the anechoic or semi-anechoic chamber, the visual and aural environment of the listening room is more like a normal room. In this room we might test which surround sound system creates a realistic sense of being enveloped by sound, the perceptual quality of hi-fi components or which hair dryer makes the least annoying noise. The listening room is an acoustically neutral environment for perceptual testing. ![]()
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